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66 lines
No EOL
4 KiB
Markdown
66 lines
No EOL
4 KiB
Markdown
# Playlist
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#incubation #chaosstream #radio
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## 101
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this is place to colect flows and notions around
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- playlist
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- curatorship
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- channeling
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- streaming
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as gamechangers of culture `consumption`
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## Flows and notions
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> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
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>> - https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
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>In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
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>> https://www.spin.com/photos/1991-albums-shaped-future-music/
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>https://mamot.fr/@pluralistic/106359487243544156 pluralistic@mamot.fr - Thus, when the internet was demilitarized and the general public started trickling - and then rushing - to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of "what's on," and "what it does to you").
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>Much of the excitement over Napster wasn't about getting music for free - it was about the mix-tapification of all music, where your custom playlists would replace the linear album.
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>6/
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>Songs circulate online among fans for whom an MP3 player set to Shuffle trumps conventional genre as an organizing principle. Refined tastes intertwine with semi-random surf trails to become indistinguishable from each other. Timelines fray, genealogies wander. These under-the-radar exchanges generally happen outside commercial spheres, adding to the fertile mess. You must sift through a lot of junky MP3s to uncover the great ones, but in the end, all the world's sonic secrets are out there, clumped irregularly across the Internet's flat and mighty sprawl. A catchy genre name or evocative creation myth can make the output of a few friends appear as a bustling scene to outside eyes, and the online hype can turn into a selffulfilling prophecy if global excitement trickles down into actual gigs.
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>> [[people.JaceClayton]]
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![[Pasted image 20210713135730.png]]
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---
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## Links
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- [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/)
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- [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf)
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- [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089)
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- https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture
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- [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended )
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- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
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## Adjacent
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- [incubation.anarcheology](incubation.anarcheology.md)
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- [[incubation.attention.economy]]
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- [[concepts.linearity]]
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- [[incubation.compression]]
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- [[people.JaceClayton]]
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- [[concepts.hypertext]]
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- [[incubation.mediamateriality]]
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- [[areas.stream]]
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## #techmech
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- http://websdr.org/
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![[Pasted image 20211027162958.png]] |