mirror of
https://gitlab.com/sdbs_cz/digital-garden-anabasis.git
synced 2025-03-04 18:07:53 +01:00
58 lines
No EOL
3.2 KiB
Markdown
58 lines
No EOL
3.2 KiB
Markdown
#### RENOISE:Generation Z
|
||
|
||
- https://www.ctm-festival.de/magazine/generation-z-renoise
|
||
- https://archive.org/details/smirnov-andrey-sound-in-z-experiments-in-sound-and-electronic-music-in-early-20th-century-russia/page/n13/mode/2up
|
||
- https://monoskop.org/Andrey_Smirnov
|
||
- http://asmir.info/generation_z_e.htm
|
||
- http://asmir.info/articles/GenerationZ_ReNoise_CTM14.pdf
|
||
- **THIS**
|
||
>
|
||
>
|
||
> Sound in Z - chapter: machine worshippers p.131
|
||
|
||
- https://monoskop.org/Arseny_Avraamov
|
||
- https://techpeterburg.wixsite.com/mysite/post/sound-in-z-forgotten-experiments-in-sound-and-electronic-music-in-early-20th-century-russia
|
||
- https://www.randform.org/blog/?p=5531
|
||
|
||
#cyber #cyborg
|
||
|
||
THE CENT R AL INSTITUTE
|
||
OF LABOU R ( CIT )
|
||
The Central Institute of Labour (Tsentralny Institut Truda – CIT) was founded
|
||
by Alexey Gastev in Moscow in 1920 and supported by Lenin.
|
||
|
||
In his institute, Gastev investigated the functions of certain operational com-
|
||
plexes that encompass both worker and machine in a single, unbroken chain:
|
||
»These machine-human complexes also produce the synthesis between bi-
|
||
ology and engineering that we are constantly cultivating. And the integrated,
|
||
calculated incorporation of determinate human masses into a system of
|
||
mechanisms will be nothing other than social engineering.«
|
||
|
||
According to CIT methodology, every physical motion of cadets was precisely
|
||
planned and assessed so that by the end of training, full automatism could
|
||
be achieved. The human body was to become a machine. Gastev declared:
|
||
»We start from the most primitive, the most elementary movements and pro-
|
||
duce the mechanization of man himself […] The perfect mastery of a given
|
||
movement implies the maximum degree of automaticity. If this maximum
|
||
increases […] nervous energy would be freed for new initiating stimuli, and
|
||
the power of an individual would grow indefinitely.«
|
||
|
||
CIT was an unusual institution that was frequented by fanatical old inven-
|
||
tors and fascinated teenagers alike. Alongside the physiological laboratory,
|
||
there were labs for sensorics, psychotechnics and education. A variety of
|
||
multimedia tools and interactive gadgets were devised, including instruments
|
||
for photography and film, systems for monitoring musical performances and
|
||
instructorless simulation apparatus for cars and planes. It was scientific
|
||
research with an interdisciplinary and broad-ranging agenda.
|
||
|
||
In the mid-1920s, one of the CIT departments was Solomon Nikritin’s Pro-
|
||
jection Theatre, a testing ground for the development of the ideal »Man of
|
||
the Future.« In 1928, Gastev organized the Ustanovka (Setup) joint-stock
|
||
company, which audited the work of industrial enterprises and provided
|
||
recommendations on the efficient organization of their work processes on
|
||
a commercial basis, which led to complete financial independence of CIT
|
||
from the state. Although by the late 1930s, CIT had produced over 500,000
|
||
qualified workers in 200 professions and 20,000 industrial trainers in 1,700
|
||
educational centres, the totalitarian State was not interested in the creation
|
||
of a network of socially engineered Cyborgs with liberated minds. In 1938,
|
||
the institute was finally closed. |