diff --git a/pages/concepts.playlisting.md b/pages/concepts.playlisting.md
index 4e7f2d1..588a1aa 100644
--- a/pages/concepts.playlisting.md
+++ b/pages/concepts.playlisting.md
@@ -1,7 +1,18 @@
 # Playlist
 #incubation #chaosstream #radio
 
+## 101
+this is place to aggregate flows and notions around
+- playlist
+- curatorship
+- channeling
+- streaming
+as gamechangers of 20/21st century culture consumption
 
+## Flows and notions
+
+> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
+>> -  https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
 
 >In 1989, British scientist Tim Berners-Lee invented the World Wide Web. By the dawn of the ’90s, the internet had awakened everyone to new technological possibilities. Similarly, music and music listeners were becoming more forward-thinking than ever before. Grunge and heavy metal met in the gauntlet; hip-hop traveled from the underground to the pop charts (N.W.A. out-charted R.E.M. in 1991); pop music became more daring; electronic music began its ascent from small clubs to festival stages. 1991 marked the start of this aggressive reinvention. It was a year that shaped the music we’ve heard for the last three decades. Even today, these 13 albums that were once in rotation in six-disc Sony stereos are responsible for current digital playlists.
 >> https://www.spin.com/photos/1991-albums-shaped-future-music/
@@ -11,52 +22,30 @@
 >6/
 
 
-
-<details markdown='1'><summary>Expand / Collapse</summary>
-
-
-</details>
-
-
 ![[Pasted image 20210713135730.png]]
 
 ---
 
-
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-
-## [[people.JaceClayton]]
-- worldmusic 2.0 +
-	- https://www.theguardian.com/music/2004/jun/29/popandrock1
-- curatorship/djing
-
--------------------------
--------------------------
-
+## Links
 - [Programming Your Own Channel](https://graceoneill.wordpress.com/2009/05/08/programming-your-own-channel/) 
 
 - [Contextualize Your Listening: The Playlist as Recommendation Engine](http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.302.1754&rep=rep1&type=pdf)
 
 - [DJ-boids: emergent collective behavior as multichannel radio station programming](https://dl.acm.org/doi/10.1145/604045.604089)
 
-- http://websdr.org/
-
 - https://www.economist.com/europe/2021/03/31/how-netflix-is-creating-a-common-european-culture
+
 - [Aggregators aren't open-ended - by Gordon Brander - Subconscious](https://via.hypothes.is/https://subconscious.substack.com/p/aggregators-arent-open-ended )
 
 
-> “You didn’t need specialist poets to create this kind of musicalised language, and the diction is very simple, so this was clearly a democratising form of literature. We’re getting an exciting glimpse of a form of oral pop culture that lay under the surface of classical culture.”
->> -  https://www.theguardian.com/books/2021/sep/08/i-dont-care-text-shows-modern-poetry-began-much-earlier-than-believed
-
-https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
+- https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
 
 ## Adjacent
 - [incubation.anarcheology](incubation.anarcheology.md)
 - [[incubation.attention.economy]]
 - [[concepts.linearity]]
-- [[incubation.compression]]
\ No newline at end of file
+- [[incubation.compression]]
+- [[people.JaceClayton]]
+
+## #techmech 
+- http://websdr.org/
\ No newline at end of file
diff --git a/pages/people.JaceClayton.md b/pages/people.JaceClayton.md
index 2fb963d..475bc6d 100644
--- a/pages/people.JaceClayton.md
+++ b/pages/people.JaceClayton.md
@@ -1,4 +1,8 @@
 # Jace Clayton
+aka DJ Rupture
+
+- https://www.theguardian.com/music/2004/jun/29/popandrock1
+
 
 ## Uproot