Automatic update, changed: incubation.generationZ.md, incubation.people.ArsenyAvraamov.md

pages/incubation.generationZ.md

@@ -1,18 +1,21 @@
 #### RENOISE:Generation Z 
 
+## Sources
 - https://www.ctm-festival.de/magazine/generation-z-renoise
 - https://archive.org/details/smirnov-andrey-sound-in-z-experiments-in-sound-and-electronic-music-in-early-20th-century-russia/page/n13/mode/2up
 - https://monoskop.org/Andrey_Smirnov
 - http://asmir.info/generation_z_e.htm
     - http://asmir.info/articles/GenerationZ_ReNoise_CTM14.pdf
         - **THIS**
+- https://techpeterburg.wixsite.com/mysite/post/sound-in-z-forgotten-experiments-in-sound-and-electronic-music-in-early-20th-century-russia
+- https://www.randform.org/blog/?p=5531
+------------------------
+## Quotes and screenshots
 >
 >![](https://hedgedoc.sdbs.cz/uploads/6609749a-0991-4145-a70b-3cb044d95eca.png)
 > Sound in Z - chapter: machine worshippers p.131
 
-- https://monoskop.org/Arseny_Avraamov
-- https://techpeterburg.wixsite.com/mysite/post/sound-in-z-forgotten-experiments-in-sound-and-electronic-music-in-early-20th-century-russia
-- https://www.randform.org/blog/?p=5531
+
 
 #cyber #cyborg 
 
@@ -101,7 +104,8 @@ was shot to death in the suburbs of Moscow.
 > «Projectionism (from the latin projectus, thrown forward) was intended to reflect the urge to rush ahead, or more accurately, to rush into the future. Solomon Nikritin applied this term not only to new approaches in painting and methods of art criticism, but also to the methodology of constructing a new society, to which it was considered necessary to aspire. In 1919 Nikritin developed his fundamental theory of Projectionism. According to his philosophy, the rational essence of nature is the highest goal of technology and culture» 
 > «Nikritin developed, for example, biomechanical temperaments and scales for body movements. As a basis for the metrics he introduced the notion of the octave. In this case it defines the maximum area mechanically reachable by a dancer with their feet in a fixed position»
 
-![[Pasted image 20230317114006.png]]  Pic. 4 - Solomon Nikritin. Draft manuscript. 1922. The manuscript illustrates an attempt to develop  a typology and classification system for human movements according to the principles and terms of biomechanics and acoustics. RGALI. 
+>![[Pasted image 20230317114006.png]]  
+Pic. 4 - Solomon Nikritin. Draft manuscript. 1922. The manuscript illustrates an attempt to develop  a typology and classification system for human movements according to the principles and terms of biomechanics and acoustics. RGALI. 
 
 
 > «In 1924 he went so far as to attempt to chart the process of the evolution of consciousness and the creative energy of society from simple, primitive states to the perfection of a future classless society. Based on a creative human network, this projected society would function without any central authority» 
@@ -121,7 +125,7 @@ was shot to death in the suburbs of Moscow.
 
 ## [[incubation.people.ArsenyAvraamov]]
 
-## Music, class and party in 1920s Russia • International Socialism
+### Music, class and party in 1920s Russia • International Socialism
 - http://isj.org.uk/music-class-and-party
 
 > On May Day 1918 in Moscow, both the “Marseillaise” and the “Internationale” were played and sung.1 But there was also a need to remember the dead of the ­revolution. The revolutionary funeral dirge “You Fell Victim”, sung by mass choirs, was a staple at these events, having already replaced “God Save the Tsar” as the tune played by the bells of the Kremlin. Meanwhile set-piece performances such as the one in Petrograd on May Day 1918 often included Mozart’s Requiem.

pages/incubation.people.ArsenyAvraamov.md

@@ -9,6 +9,7 @@
 > Heconducted the symphony himself from a specially built tower, using signallingflags directed simultaneously toward the oil flotilla, the trains at the station,the shipyards, the transport vehicles and the workers' choirs . Avraamov didnot want spectators, but intended the active participation of everybody in thedevelopment of the work through their exclamations and singing, all united withthe same revolutionary will. Avraamov reflected on the potential of music, andthe influence of the sounds that define our environment - their importance andthe role they had to fulfil after the October Revolution - an aspect of his thinkingwhich helps us to understand the ultimate meaning of the composition of the Symphony of Sirens
 
 https://monoskop.org/Arseny_Avraamov
+
 ---
 
 [[projects.lalar]]